Discussion:
Producers' Showcase treasures available?
(too old to reply)
Sweevil
2004-05-11 03:28:03 UTC
Permalink
Researching a project I recently discovered that in the 1950s a series of
mostly 90 minute TV shows were broadcast, called PRODCUERS' SHOWCASE. Some
were adaptations of current or classic musicals, others original musicals
and plays written for TV by big names such as Jule Styne who, with Leo
Robin, scored an original musical for the series. Has anyone seen any of
these? They don't appear to be available on DVD or video, but some look
like they sure should be.

Their website seems to indicate that they are trying to prepare these
programs for sale or cable broadcast. Some info from the site:

The budgets for Showcase, across the board, were so enormous, that there was
first-rate talent involved at every stage of every production; the disparity
between the one-hour shows and the 90-minute and 120-minute shows on the
Producers' Showcase series, with one exception, was even greater. Many of
the programs were restagings of successful Broadway dramas and musicals.

Even though technical capabilities of the day were primitive compared to
today, no expense was spared for the Producers' Showcase programs, and as a
result, they are very entertaining even now. Directors such as Arthur Penn,
Sidney Lumet, Kirk Browning, and Clark Jones knew even then how to create
visually interesting television; the world-class authors who were adapted by
writers at the top of the talent ladder, and the successful writers who
created programs specifically for this series, all knew how to create an
interesting story, with excellent plotting and character development; the
actors were literally the best that there ever were, and their performances
are first-rate by any standard; the legendary performing artists outdid
themselves to dazzle the world's largest audiences; the composers and
lyricists who created music and songs were already successful. As just one
illustration of the quality of these programs, James van Heusen and Sammy
Cahn wrote the classic song "Love and Marriage" specifically for the musical
version of "OUR TOWN" from the Producer's Showcase series; Thornton Wilder's
play remains the most performed American stage play. Overall, these programs
still have the power to dazzle an audience.


Past Ratings as a Guide to Present Audience Potential

The programs were broadcast "live" and have not been seen since their
original broadcasts, although NBC and Showcase have, from time to time,
licensed clips from individual programs. Even making allowance for the
limited number of programming choices available to audiences at the time,
Producers' Shocase drew phenomenal "Nielsen" ratings and audiences -- the 23
programs for which we have records, averaged a 36.5% audience share. The
very highest ratings were garnered by the original March 7, 1955 broadcast
of "PETER PAN (68.3 share, estimated at a total audience of between
65,000,000 and 75,000,000 people), the March 30, 1955 broadcast of "THE
PETRIFIED FOREST" (50.6 share), and the January 9, 1956 repeat of "PETER
PAN" (54.9 share). The "Trendex" ratings were even higher, with,
respectively, shares of 69.2 for the first "PETER PAN" and of 51.2 for "THE
PETRIFIED FOREST." (We have been told by many inerviewees that it was almost
impossible to hail a taxicab in New York City on the nights of the "PETER
PAN" broadcasts!) It should be remembered that this success was generally
achieved in head-to-head combat with the most consistently popular program
in TV history, "I LOVE LUCY," running on CBS.
Sweevil
2004-05-11 03:31:40 UTC
Permalink
Does this list of broadcasts pique your curiosity as it does mine? Some of
what appear to be straight plays below are actually original musical
adaptations with new scores, e.g. OUR TOWN. I want to find out more about
this stuff. I'll check at the Museum of TV and Radio.

The website is: http://www.showcaseproductions.com/all.htm

The following is a list of all of the PRODUCERS' SHOWCASE programs


I. Programs For Which Materials Have Been Located:
1.. Tonight at 8:30 Broadcast Date: 10/18/54
2.. State of the Union Broadcast Date: 11/15/54
3.. Dateline Broadcast Date: 12/13/54
4.. Call To Freedom Broadcast Date: 1/7/55
5.. Yellow Jack Broadcast Date: 1/10/55
6.. Peter Pan Broadcast Date: 3/7/55
7.. Darkness at Noon Broadcast Date: 5/2/55
8.. The Petrified Forest Broadcast Date: 5/30/55
9.. Wide Wide World Broadcast Date: 6/27/55
10.. The Fourposter Broadcast Date: 7/25/55
11.. The Skin of Our Teeth Broadcast Date: 9/11/55
12.. Our Town Broadcast Date: 9/19/55
13.. Dateline II Broadcast Date: 11/14/55
14.. Festival of Music Broadcast Date: 1/30/56
15.. Caesar and Cleopatra Broadcast Date: 3/5/56
16.. The Barretts of Wimpole Street Broadcast Date: 4/2/56
17.. Bloomer Girl Broadcast Date: 2/28/56
18.. Happy Birthday Broadcast Date: 6/25/56
19.. The Lord Don't Play Favorites Broadcast Date: 9/17/56
20.. The Letter Broadcast Date: 11/15/56
21.. Jack and the Beanstalk Broadcast Date: 11/12/56
22.. Festival of Music Broadcast Date: 12/10/56
23.. Ruggles of Red Gap Broadcast Date: 2/3/57
24.. Mayerling Broadcast Date: 2/4/57
25.. Romeo and Juliet Broadcast Date: 3/4/57
26.. The Great Sebastians Broadcast Date: 4/1/57
27.. Cinderella Broadcast Date: 4/29/57
28.. Mr. Broadway Broadcast Date: 5/11/57
29.. Festival of Magic Broadcast Date: 5/27/57
30.. Sleeping Beauty Broadcast Date: 11/14/55


II. Programs With Partial Materials:
31.. Rosalinda Broadcast Date: 7/23/56


III. No Materials Yet Located:
32.. The Women Broadcast Date: 2/7/55
33.. Reunion In Vienna Broadcast Date: 4/4/55
34.. The King and Mrs. Candle Broadcast Date: 4/22/55
35.. Cyrano De Bergerac Broadcast Date: 10/17/55
36.. Dodsworth Broadcast Date: 4/30/56
Sweevil
2004-05-11 03:51:34 UTC
Permalink
Check out these sample broadcasts. My mouth is watering:

"BLOOMER GIRL"
Directed By: Alex Segal
Air Date: 5/28/56
Stars: Barbara Cook (Evalina) and Keith Andes (Calhoun), repeating their
Broadway roles, and Carmen Matthews, Paul Ford, Paul McGrath, Heywood Hale
Broun, with large cast of dancers and singers

***
"TONIGHT AT 8:30"
Directed By: Otto Preminger, Associate Director Dominick Dunne
Written By: Noel Coward
Air Date: 10/18/54
Stars: Ginger Rogers, Martyn Green, Estelle Winwood, Dermot McNamara

***

The original PETER PAN with Mary Martin and the Styne.Charlap, Carolyn
Leigh, Comden& Green score.

***
"OUR TOWN"
Directed By: Delbert Mann, Associate Director Dominick Dunne
Written By: Thornton Wilder, adapted for television by David Shaw
Produced by: Fred Coe
Air Date: 9/19/55
Stars: Frank Sinatra as the Stage Manager, and Eva Marie Saint and Paul
Newman as the young lovers, Ernest Truex and Sylvia Field as his parents and
Paul Hartman and Peg Hillias as her parents, supported by Shelley Fabares,
Tony Sydes, David Saber, Carol Veazie, Charlotte Knight, and Harvey B.
Dunne. Orchestrations and musical direction by Nelson Riddle,

***
"MR. BROADWAY"
Directed By: Sidney Lumet
Written By: Sam and Bella Spewack
Produced by:
Air Date: 5/11/57
Stars: Mickey Rooney, Eddie Foy, Jr., Teresa Brewer, Garry Moore, Gloria
DeHaven, June Havoc, Roberta Sherwood
----------------------------------------------------------------------------
----
Show: Musical version of rags-to-Vaudeville-riches life of George M. Cohan,
written for television by Sam and Bella Spewack, with music and lyrics by
George M. Cohan; directed by Sidney Lumet; musical numbers and choreography
staged by Peter Gennaro; songs include "Give My Regards to Broadway,"
"Harrigan," "Over There," "Yankee Doodle Dandy," and "You're a Grand Old
Flag;" cast includes Mickey Rooney, Eddie Foy, Jr., Teresa Brewer, Garry
Moore, Gloria DeHaven, June Havoc, Roberta Sherwood

***

MAYERLING, an original teleplay starring Audrey Hepburn and Mel Ferrer.

***

Interesting stuff, huh?
Spelvin
2004-05-11 05:50:47 UTC
Permalink
Post by Sweevil
"BLOOMER GIRL"
Directed By: Alex Segal
Air Date: 5/28/56
Stars: Barbara Cook (Evalina) and Keith Andes (Calhoun), repeating
their Broadway roles, and Carmen Matthews, Paul Ford, Paul McGrath,
Heywood Hale Broun, with large cast of dancers and singers
***
"TONIGHT AT 8:30"
Directed By: Otto Preminger, Associate Director Dominick Dunne
Written By: Noel Coward
Air Date: 10/18/54
Stars: Ginger Rogers, Martyn Green, Estelle Winwood, Dermot McNamara
***
The original PETER PAN with Mary Martin and the Styne.Charlap, Carolyn
Leigh, Comden& Green score.
***
"OUR TOWN"
Directed By: Delbert Mann, Associate Director Dominick Dunne
Written By: Thornton Wilder, adapted for television by David Shaw
Produced by: Fred Coe
Air Date: 9/19/55
Stars: Frank Sinatra as the Stage Manager, and Eva Marie Saint and
Paul Newman as the young lovers, Ernest Truex and Sylvia Field as his
parents and Paul Hartman and Peg Hillias as her parents, supported by
Shelley Fabares, Tony Sydes, David Saber, Carol Veazie, Charlotte
Knight, and Harvey B. Dunne. Orchestrations and musical direction by
Nelson Riddle,
***
"MR. BROADWAY"
Directed By: Sidney Lumet
Written By: Sam and Bella Spewack
Air Date: 5/11/57
Stars: Mickey Rooney, Eddie Foy, Jr., Teresa Brewer, Garry Moore,
Gloria DeHaven, June Havoc, Roberta Sherwood
-----------------------------------------------------------------------
----- ----
Show: Musical version of rags-to-Vaudeville-riches life of George M.
Cohan, written for television by Sam and Bella Spewack, with music and
lyrics by George M. Cohan; directed by Sidney Lumet; musical numbers
and choreography staged by Peter Gennaro; songs include "Give My
Regards to Broadway," "Harrigan," "Over There," "Yankee Doodle Dandy,"
and "You're a Grand Old Flag;" cast includes Mickey Rooney, Eddie Foy,
Jr., Teresa Brewer, Garry Moore, Gloria DeHaven, June Havoc, Roberta
Sherwood
***
MAYERLING, an original teleplay starring Audrey Hepburn and Mel Ferrer.
***
Interesting stuff, huh?
Yes, but as I've learned so many times, often this stuff looks better on
paper than in reality. I've read a lot of reviews of legendary TV from
the Fifties, both in the New York Times and in Variety, and most of it
was brutally panned. We'd probably be disappointed in these things if
for no other reason than they'd be badly cut. The musicals would have
many songs cut, and those that remained would be truncated.

Of course, you have to understand that I'm never happy!

Spelvin
A Tsar Is Born
2004-05-12 04:39:17 UTC
Permalink
Post by Sweevil
The original PETER PAN with Mary Martin and the Styne.Charlap, Carolyn
Leigh, Comden& Green score.
Actually, the version that exists is the third or fourth time she did
it on TV, and it got more watered down with each repetition.

The Wonderful Town with RR is exemplary: hideous kinescope look.

Jean Coeur de Lapin
robert armstrong
2004-05-12 16:07:10 UTC
Permalink
Post by A Tsar Is Born
Check out these sample broadcasts. My mouth
is watering: The original PETER PAN with Mary
Martin and the Styne.Charlap, Carolyn Leigh, Comden & Green score
(sic).
Post by A Tsar Is Born
Actually, the version that exists is the third or fourth
time she did it on TV, and it got more watered down
with each repetition.
MM said in her memoirs that in the early 70s she was shown a
black-and-white kinescope film of the first broadcast, so it does exist,
whether or not this is the film. It was, however, also on the Producer's
Showcase series when it premiered.
Post by A Tsar Is Born
The Wonderful Town with RR is exemplary: hideous
kinescope look.
Yes and yes. Suspect that this was also designed as a color show so it
seems washed out and lacking texture in b&w. S Chaplin's character is
disappointingly undersung compared to George Gaynes' on the OBC record
album.

There's also a film of Roz doing Conga! right onstage during the run of
the show. From the voice-over on the documentary I got the impression
that the entire show had been telecast then, but it may have been only a
spot on a variety show.

Bob A

"Aside from that, Mrs. Lincoln, how did you enjoy the play?"
John W. Kennedy
2004-05-12 19:36:13 UTC
Permalink
Post by robert armstrong
MM said in her memoirs that in the early 70s she was shown a
black-and-white kinescope film of the first broadcast, so it does exist,
whether or not this is the film. It was, however, also on the Producer's
Showcase series when it premiered.
The last performance was the first time it was _taped_, with the intent
the MM not have to do it again (she was getting a bit old for the
flying), and it is that performance that is commercially available.

However, that doesn't rule out the possibility of kines of the earlier
performances being extant.
--
John W. Kennedy
"Only an idiot fights a war on two fronts. Only the heir to the throne
of the kingdom of idiots would fight a war on twelve fronts"
-- J. Michael Straczynski. "Babylon 5", "Ceremonies of Light and Dark"
robert armstrong
2004-05-13 19:05:04 UTC
Permalink
Post by John W. Kennedy
The last performance was the first time it was _taped_,
with the intent the MM not have to do it again (she
was getting a bit old for the flying), and it is that
performance that is commercially available.
However, that doesn't rule out the possibility of kines
of the earlier performances being extant.
At least one black-and-white film does exist: I didn't say available.

I disagree that the intent of videotaping the show in 1960 had,
necessarily, to do with Martin's not wanting to do it again. Videotaping
was a regular practice by that time as an economical and practical
reality. The need to do the show again did not exist in the industry
that had developed since 1955.

Bob A

"Aside from that, Mrs. Lincoln, how did you enjoy the play?"
John W. Kennedy
2004-05-14 15:04:33 UTC
Permalink
Post by robert armstrong
I disagree that the intent of videotaping the show in 1960 had,
necessarily, to do with Martin's not wanting to do it again.
I recall it being so reported at the time. (She was 47, fer cripe's sake!)
--
John W. Kennedy
"You can, if you wish, class all science-fiction together; but it is
about as perceptive as classing the works of Ballantyne, Conrad and W.
W. Jacobs together as the 'sea-story' and then criticizing _that_."
-- C. S. Lewis. "An Experiment in Criticism"
rwright
2004-05-16 13:31:52 UTC
Permalink
I have a blury VHS tape of MM in PETER PAN. Not sure if it is the first
time she did it but it is not the one commercially available. It is alos in
B&W. Is there any way I can tell if this is the first MM telecast? Were
there songs or scenes that were not done in subsequent telecasts?
Post by John W. Kennedy
Post by robert armstrong
I disagree that the intent of videotaping the show in 1960 had,
necessarily, to do with Martin's not wanting to do it again.
I recall it being so reported at the time. (She was 47, fer cripe's sake!)
--
John W. Kennedy
"You can, if you wish, class all science-fiction together; but it is
about as perceptive as classing the works of Ballantyne, Conrad and W.
W. Jacobs together as the 'sea-story' and then criticizing _that_."
-- C. S. Lewis. "An Experiment in Criticism"
Dave Barton
2004-05-18 18:00:11 UTC
Permalink
Well, first two airings of the show featured Kathy Nolan as Wendy. The
broadcast that was subsequently released on video featured Maureen Bailey as
Wendy.
Post by rwright
I have a blury VHS tape of MM in PETER PAN. Not sure if it is the first
time she did it but it is not the one commercially available. It is alos in
B&W. Is there any way I can tell if this is the first MM telecast? Were
there songs or scenes that were not done in subsequent telecasts?
Post by John W. Kennedy
Post by robert armstrong
I disagree that the intent of videotaping the show in 1960 had,
necessarily, to do with Martin's not wanting to do it again.
I recall it being so reported at the time. (She was 47, fer cripe's
sake!)
Post by John W. Kennedy
--
John W. Kennedy
"You can, if you wish, class all science-fiction together; but it is
about as perceptive as classing the works of Ballantyne, Conrad and W.
W. Jacobs together as the 'sea-story' and then criticizing _that_."
-- C. S. Lewis. "An Experiment in Criticism"
robert armstrong
2004-05-19 20:18:10 UTC
Permalink
Post by Dave Barton
Well, first two airings of the show featured Kathy
Nolan as Wendy. The broadcast that was subsequently
released on video featured Maureen Bailey as Wendy.
Funny thing is, the artwork on the cover of the present-day OBC release
of shows Maureen Bailey as Wendy (borrowed from the VHS release of the
1960 production). Looks good, but fortunately earlier album cover
designs are included in accompanying booklet.

Kathy Nolan -- ironic that the only one of the Real McCoys' four
principals still living is the one they killed off! Be nice if we saw
her in something.
Steve Newport
2004-05-20 04:09:22 UTC
Permalink
From: ElBob-***@webtv.net (robert=A0armstrong) Kathy Nolan -- ironic that
the only one of the Real McCoys' four principals still living is the one
they killed off! Be nice if we saw her in something.
---------------------------
Yep! She *is* in Mary Martin's A & E bio (with John Raitt, Marge
Champion, Channing, etc.) Tony Martinez was a great Sancho. Richard
Crenna did STAR! and a LADY IN THE DARK TV excerpt. And three time Oscar
winner Walter Brennan sang with Buddy Ebsen and Janet Blair in the
Sherman Brothers movie musical THE ONE AND ONLY GENUINE ORIGINAL FAMILY
BAND, also due out soon on DVD.



http://www.theanimalrescuesite.com
David Weiner
2004-05-12 20:08:16 UTC
Permalink
Post by Sweevil
"BLOOMER GIRL"
Directed By: Alex Segal
Air Date: 5/28/56
Stars: Barbara Cook (Evalina) and Keith Andes (Calhoun), repeating their
Broadway roles, and Carmen Matthews, Paul Ford, Paul McGrath, Heywood Hale
Broun, with large cast of dancers and singers
I have a blurry VHS dub of the kinescope of this and it is
WONDERFUL!!!!
Post by Sweevil
***
The original PETER PAN with Mary Martin and the Styne.Charlap, Carolyn
Leigh, Comden& Green score.
They telecast this twice on Producer's Showcase, in 1955 just after
the show closed on Broadway and then a year later -- a new staging,
not a rerun (the 1960 color version was a free-standing special). The
1955 show was available from kinevideo.net in a blurry transfer. The
1956 show is available for $15 on DVD in a clean, beautiful b/w
kinescope transfer from Satellite Media - I just got a copy from them
and it's great.

http://www.satellitemediaproduction.com/vintagetv/index.html
Post by Sweevil
"MR. BROADWAY"
Directed By: Sidney Lumet
Written By: Sam and Bella Spewack
Air Date: 5/11/57
Stars: Mickey Rooney, Eddie Foy, Jr., Teresa Brewer, Garry Moore, Gloria
DeHaven, June Havoc, Roberta Sherwood
There was an RCA LP soundtrack of this issued.

Dave Weiner
robert armstrong
2004-05-13 19:20:02 UTC
Permalink
Post by David Weiner
They telecast this twice on Producer's Showcase,
in 1955 just after the show closed on Broadway
and then a year later -- a new staging, not a rerun
(the 1960 color version was a free-standing special).
The 1955 show was available from kinevideo.net
in a blurry transfer.
By the way, the show was always in color. In fact I have a Life magazine
from March of '55 with a color spread that had been shot from offstage
during the live telecast: it says, basically, "If you'd-a had color
television last week, this is what it would-a looked like."

I recall that the two-hour live color special Music With Mary
Martin/Magic With Mary Martin also included part of the first act of
Peter Pan.
Post by David Weiner
The 1956 show is available for $15 on DVD in a
clean, beautiful b/w kinescope transfer from Satellite
Media - I just got a copy from them and it's great.
Thanks, I'll check that out.

Bob A

"Aside from that, Mrs. Lincoln, how did you enjoy the play?"
buzz hauser
2004-05-20 15:22:46 UTC
Permalink
****
I have both the original 1955 TV version as well as the commerically
released 1960 version. I believe my first copy is in black and white,
and doesn't have additional material that's not in the later 1960
version.

Haven't watched either one in ages. Time to get the fairy dust out
again....

Buzz
****
Steve Newport
2004-05-20 17:01:06 UTC
Permalink
From: ***@yahoo.com (buzz=A0hauser)
****
Time to get the fairy dust out again....
****
But apply sparingly. It's potent stuff. A little goes a long way. BFS.



http://www.theanimalrescuesite.com
robert armstrong
2004-05-21 01:22:50 UTC
Permalink
When the 1960 version premiered, and again in '61 and '63, it concluded
with a short speech Mary Martin gave to the children of the world, at
the end of which she stood up and reprised her flying sequence as the
closing credits rolled. I don't recall how it ended in the '73
broadcast, but in '89 and ever since that speech has been missing. I'm
wondering what she said now; I ordered the DVD of the '56 b & w film, so
maybe it's included there.

Liza's dance when she arrives in Neverland was also removed from the '89
rebroadcast, but reappeared in the video release, so I don't believe the
speech was edited out for time consideration. Probably a timely
reference, like at the curtain call for All the Way Home when Sally
Field saluted "the brave people of Poland," not something controversial.
Conspiracy theories have been coming and going for years about the
disappearance of this show from the airwaves through most of the Vietnam
era.

Bob A

"Aside from that, Mrs. Lincoln, how did you enjoy the play?"
robert armstrong
2004-05-23 17:54:46 UTC
Permalink
Post by robert armstrong
When the 1960 version premiered, and again in
'61 and '63, it concluded with a short speech Mary
Martin gave to the children of the world, at the end
of which she stood up and reprised her flying sequence
as the closing credits rolled...in '89 and ever since
that speech has been missing. I'm wondering what
she said now...Liza's dance when she arrives in
Neverland was also removed from the '89 rebroadcast,
but reappeared in the video release, so I don't believe
the speech was edited out for time consideration.
I've now seen the '56 live broadcast, and apparently the cutting of the
speech at the end is because she mentions the sponsors of Producers
Showcase, Ford and RCA. The epilogue was probably to keep the audience
watching through the last commercials after the show had ended.

Bob A

"Aside from that, Mrs. Lincoln, how did you enjoy the play?"
robert armstrong
2004-05-24 13:58:42 UTC
Permalink
Post by robert armstrong
I've now seen the '56 live broadcast, and apparently
the cutting of the speech at the end is because
she mentions the sponsors of Producers Showcase,
Ford and RCA.
I meant to say that she mentioned those sponsors in the '56 example, so
I infer that the '60 epilogue also refers to whoever the sponsors were
in '60, thus dating the program. And, of course, Peter Pan was not part
of Producers Showcase after 1956.

Bob A

"Aside from that, Mrs. Lincoln, how did you enjoy the play?"
Beb11572
2004-05-24 20:41:30 UTC
Permalink
Post by robert armstrong
When the 1960 version premiered, and again in '61 and '63, it concluded
with a short speech Mary Martin gave to the children of the world,
This sounds nauseating. What exactly did she say?
Thierry
2004-05-12 20:54:34 UTC
Permalink
Post by Sweevil
"BLOOMER GIRL"
Directed By: Alex Segal
Air Date: 5/28/56
Stars: Barbara Cook (Evalina) and Keith Andes (Calhoun), repeating their
Broadway roles, and Carmen Matthews, Paul Ford, Paul McGrath, Heywood Hale
Broun, with large cast of dancers and singers
Strange that this listing says Barbara Cook and Keith Andes are
"repeating their Broadway roles" in BLOOMER GIRL -- I don't think
either actually did those roles on Broadway or anywhere else (save for
this TV version).

I have this version, and it's not a bad representation of BLOOMER
GIRL, really, and includes the original De Mille choreograpny for the
Civil War Ballet -- but it's clear to see why Cook never had a film
career, actually -- the camera doesn't "love" her, and her
effervesence as a stage performer is muted a bit on TV. (On the other
hand, she's really wonderful playing an atypical trashy "bad girl" in
an ALFRED HITCHCOCK PRESENTS episode filmed, I believe, just before
THE MUSIC MAN).

Thierry
BTC/TAK on ACK
2004-05-12 21:29:09 UTC
Permalink
... Barbara Cook and Keith Andes... "repeating their Broadway roles" in
BLOOMER GIRL -- I don't think either actually did those roles on Broadway...

I don't think they did either. I wonder [though I have no memory of it] if
they did it at the City Center? Those productions, if I recall properly,
were produced under Broadway contracts.

Mila
Post by Sweevil
"BLOOMER GIRL"
Directed By: Alex Segal
Air Date: 5/28/56
Stars: Barbara Cook (Evalina) and Keith Andes (Calhoun), repeating their
Broadway roles, and Carmen Matthews, Paul Ford, Paul McGrath, Heywood Hale
Broun, with large cast of dancers and singers
Strange that this listing says Barbara Cook and Keith Andes are
"repeating their Broadway roles" in BLOOMER GIRL -- I don't think
either actually did those roles on Broadway or anywhere else (save for
this TV version).
I have this version, and it's not a bad representation of BLOOMER
GIRL, really, and includes the original De Mille choreograpny for the
Civil War Ballet -- but it's clear to see why Cook never had a film
career, actually -- the camera doesn't "love" her, and her
effervesence as a stage performer is muted a bit on TV. (On the other
hand, she's really wonderful playing an atypical trashy "bad girl" in
an ALFRED HITCHCOCK PRESENTS episode filmed, I believe, just before
THE MUSIC MAN).
Thierry
Spelvin
2004-05-11 05:48:21 UTC
Permalink
Post by Sweevil
Does this list of broadcasts pique your curiosity as it does mine?
Some of what appear to be straight plays below are actually original
musical adaptations with new scores, e.g. OUR TOWN. I want to find
out more about this stuff. I'll check at the Museum of TV and Radio.
The website is: http://www.showcaseproductions.com/all.htm
The following is a list of all of the PRODUCERS' SHOWCASE programs
1.. Tonight at 8:30 Broadcast Date: 10/18/54
2.. State of the Union Broadcast Date: 11/15/54
3.. Dateline Broadcast Date: 12/13/54
4.. Call To Freedom Broadcast Date: 1/7/55
5.. Yellow Jack Broadcast Date: 1/10/55
6.. Peter Pan Broadcast Date: 3/7/55
7.. Darkness at Noon Broadcast Date: 5/2/55
8.. The Petrified Forest Broadcast Date: 5/30/55
9.. Wide Wide World Broadcast Date: 6/27/55
10.. The Fourposter Broadcast Date: 7/25/55
11.. The Skin of Our Teeth Broadcast Date: 9/11/55
12.. Our Town Broadcast Date: 9/19/55
13.. Dateline II Broadcast Date: 11/14/55
14.. Festival of Music Broadcast Date: 1/30/56
15.. Caesar and Cleopatra Broadcast Date: 3/5/56
16.. The Barretts of Wimpole Street Broadcast Date: 4/2/56
17.. Bloomer Girl Broadcast Date: 2/28/56
18.. Happy Birthday Broadcast Date: 6/25/56
19.. The Lord Don't Play Favorites Broadcast Date: 9/17/56
20.. The Letter Broadcast Date: 11/15/56
21.. Jack and the Beanstalk Broadcast Date: 11/12/56
22.. Festival of Music Broadcast Date: 12/10/56
23.. Ruggles of Red Gap Broadcast Date: 2/3/57
24.. Mayerling Broadcast Date: 2/4/57
25.. Romeo and Juliet Broadcast Date: 3/4/57
26.. The Great Sebastians Broadcast Date: 4/1/57
27.. Cinderella Broadcast Date: 4/29/57
28.. Mr. Broadway Broadcast Date: 5/11/57
29.. Festival of Magic Broadcast Date: 5/27/57
30.. Sleeping Beauty Broadcast Date: 11/14/55
31.. Rosalinda Broadcast Date: 7/23/56
32.. The Women Broadcast Date: 2/7/55
33.. Reunion In Vienna Broadcast Date: 4/4/55
34.. The King and Mrs. Candle Broadcast Date: 4/22/55
35.. Cyrano De Bergerac Broadcast Date: 10/17/55
36.. Dodsworth Broadcast Date: 4/30/56
Few things demonstrate how quality has deteriorated than comparing the
TV schedules in the Fifties with those of today. Can you imagine these
things being on network television now? Bloomer Girl?

I don't get that Cinderella of 4/29/57. The Rodgers and Hammerstein
Cinderella was on Sunday, March 31, 1957, and it wasn't part of
Producers' Showcase.

Spelvin
Steve Newport
2004-05-11 14:18:35 UTC
Permalink
From: ***@nospam.net (Spelvin)
Few things demonstrate how quality has deteriorated than comparing the
TV schedules in the Fifties with those of today. Can you imagine these
things being on network television now?
-----------------------
I grew up with 50's TV (and showtune playing radio) and the first
professional show I saw was MY FAIR LADY. Real musical stars from
Broadway and the movies appeared regionally. Sigh. BTW, there's a TV
soundtrack Lp of RUGGLES OF RED GAP.



http://www.theanimalrescuesite.com
robert armstrong
2004-05-11 15:03:31 UTC
Permalink
I'm curious about the '57 Cinderella's being included on the list, since
it's not NBC but CBS. The kinescope film does not mention any
overarching series title, only "The Ed Sullivan Show, normally seen at
this time..." not to mention that, therefore, it was on Sunday, so it
would not have been on against Lucy even if it had been on a competing
network.

Bob A

"Aside from that, Mrs. Lincoln, how did you enjoy the play?"
Sweevil
2004-05-11 20:05:03 UTC
Permalink
The CINDERELLA in this series is ballet with Margot Fonteyn:

"CINDERELLA"
Directed By: Clark Jones
Written By: Frederick Ashton
Produced by: Sol Hurok
Air Date: 4/29/57
Stars: Margot Fonteyn, Michael Somes, Frederick Ashton, Kenneth MacMillan,
Svetlana Beriosova, Philip Chatfield
----------------------------------------------------------------------------
----
Show: Sol Hurok presentation of Sadler's Wells Ballet Company (n/k/a The
Royal Ballet) of ballet set to music by Sergei Prokofiev; directed by Clark
Jones; choreographed and adapted for television by Frederick Ashton;
featuring Margot Fonteyn, Michael Somes, Frederick Ashton, Kenneth
MacMillan, Svetlana Beriosova, Philip Chatfield, and the entire corps de
ballet.
Post by Spelvin
Post by Sweevil
Does this list of broadcasts pique your curiosity as it does mine?
Some of what appear to be straight plays below are actually original
musical adaptations with new scores, e.g. OUR TOWN. I want to find
out more about this stuff. I'll check at the Museum of TV and Radio.
The website is: http://www.showcaseproductions.com/all.htm
The following is a list of all of the PRODUCERS' SHOWCASE programs
1.. Tonight at 8:30 Broadcast Date: 10/18/54
2.. State of the Union Broadcast Date: 11/15/54
3.. Dateline Broadcast Date: 12/13/54
4.. Call To Freedom Broadcast Date: 1/7/55
5.. Yellow Jack Broadcast Date: 1/10/55
6.. Peter Pan Broadcast Date: 3/7/55
7.. Darkness at Noon Broadcast Date: 5/2/55
8.. The Petrified Forest Broadcast Date: 5/30/55
9.. Wide Wide World Broadcast Date: 6/27/55
10.. The Fourposter Broadcast Date: 7/25/55
11.. The Skin of Our Teeth Broadcast Date: 9/11/55
12.. Our Town Broadcast Date: 9/19/55
13.. Dateline II Broadcast Date: 11/14/55
14.. Festival of Music Broadcast Date: 1/30/56
15.. Caesar and Cleopatra Broadcast Date: 3/5/56
16.. The Barretts of Wimpole Street Broadcast Date: 4/2/56
17.. Bloomer Girl Broadcast Date: 2/28/56
18.. Happy Birthday Broadcast Date: 6/25/56
19.. The Lord Don't Play Favorites Broadcast Date: 9/17/56
20.. The Letter Broadcast Date: 11/15/56
21.. Jack and the Beanstalk Broadcast Date: 11/12/56
22.. Festival of Music Broadcast Date: 12/10/56
23.. Ruggles of Red Gap Broadcast Date: 2/3/57
24.. Mayerling Broadcast Date: 2/4/57
25.. Romeo and Juliet Broadcast Date: 3/4/57
26.. The Great Sebastians Broadcast Date: 4/1/57
27.. Cinderella Broadcast Date: 4/29/57
28.. Mr. Broadway Broadcast Date: 5/11/57
29.. Festival of Magic Broadcast Date: 5/27/57
30.. Sleeping Beauty Broadcast Date: 11/14/55
31.. Rosalinda Broadcast Date: 7/23/56
32.. The Women Broadcast Date: 2/7/55
33.. Reunion In Vienna Broadcast Date: 4/4/55
34.. The King and Mrs. Candle Broadcast Date: 4/22/55
35.. Cyrano De Bergerac Broadcast Date: 10/17/55
36.. Dodsworth Broadcast Date: 4/30/56
Few things demonstrate how quality has deteriorated than comparing the
TV schedules in the Fifties with those of today. Can you imagine these
things being on network television now? Bloomer Girl?
I don't get that Cinderella of 4/29/57. The Rodgers and Hammerstein
Cinderella was on Sunday, March 31, 1957, and it wasn't part of
Producers' Showcase.
Spelvin
robert armstrong
2004-05-12 15:42:42 UTC
Permalink
Post by Sweevil
The CINDERELLA in this series is ballet with Margot
Ah, so that was the production MAD magazine ripped to shreds in those
days with its Evolution of a Television Drama, not our fair Julie and
temperate, non-womanizing Richard Rodgers. Still one of their funniest
pieces.

Seriously, amazingly, Columbia Records claims that the R & H2 Cinderella
got bad reviews across the board when it aired.

Bob A

"Aside from that, Mrs. Lincoln, how did you enjoy the play?"
John W. Kennedy
2004-05-12 19:37:29 UTC
Permalink
Post by robert armstrong
Ah, so that was the production MAD magazine ripped to shreds in those
days with its Evolution of a Television Drama, not our fair Julie and
temperate, non-womanizing Richard Rodgers. Still one of their funniest
pieces.
"People don't like the name John; it reminds them of John Wilkes Booth."
--
John W. Kennedy
"The poor have sometimes objected to being governed badly; the rich have
always objected to being governed at all."
-- G. K. Chesterton. "The Man Who Was Thursday"
Spelvin
2004-05-12 20:49:22 UTC
Permalink
Post by robert armstrong
Seriously, amazingly, Columbia Records claims that the R & H2 Cinderella
got bad reviews across the board when it aired.
No it didn't!

Spelvin
robert armstrong
2004-05-15 00:44:01 UTC
Permalink
Post by Spelvin
Post by robert armstrong
Seriously, amazingly, Columbia Records claims
that the R & H2 Cinderella got bad reviews across
the board when it aired.
No it didn't!
I tend to doubt it, but anyway here's what it says in the liner notes of
the CD rerelease of Cole Porter's Aladdin:

"[Cole's] main concern was that the show might be too much like Rodgers
and Hammerstein's televised version of __Cinderela__, which
had...suffered an almost ignominious fate in the hands of the critics."

I also read once, in a book about film history, that in 1965 The Sound
of Music opened "to almost universally unfavorable reviews." I could
criticize a lot of things about SOM myself, but I can go on record as
saying I've never read of its being rated fewer than three stars.

Okay, the Chicago Reader, but...you know.

Mary: You remember Richard Burton's Hamlet?

Murray: He didn't like Richard Burton?

Mary: He didn't like the play!

Bob A

"Aside from that, Mrs. Lincoln, how did you enjoy the play?"
Spelvin
2004-05-11 05:44:37 UTC
Permalink
Post by Sweevil
Researching a project I recently discovered that in the 1950s a series
of mostly 90 minute TV shows were broadcast, called PRODCUERS'
SHOWCASE. Some were adaptations of current or classic musicals,
others original musicals and plays written for TV by big names such as
Jule Styne who, with Leo Robin, scored an original musical for the
series. Has anyone seen any of these?
Well, I sure remember seeing the original PETER PAN, at the ripe age of
five. I had no idea at the time, but I was seeing my first Broadway
musical! It made a profound impression on me, and not only have I never
stopped loving it, I've also never grown up!
Post by Sweevil
They don't appear to be
available on DVD or video, but some look like they sure should be.
You can find bootlegs of the second PETER PAN of January, 1956.
Post by Sweevil
The very highest ratings were garnered by the
original March 7, 1955 broadcast of "PETER PAN (68.3 share, estimated
at a total audience of between 65,000,000 and 75,000,000 people)
To think such a big deal was made last week over the "Friends" finale,
which ended up being watched by about 51,000,000 people. The population
of the U.S. is now almost 300,000,000 -- it was approximately
160,000,000 in 1955. So PETER PAN was seen by close to HALF of the
population, compared to 1/6 for "Friends."
Post by Sweevil
It should be remembered that this success was generally achieved in
head-to-head combat with the most consistently popular program in TV
history, "I LOVE LUCY," running on CBS.
The LUCY people must have suspected PETER PAN would blow them away that
night, so they had a rerun instead of a new episode.

Spelvin
r***@gmail.com
2018-05-22 02:40:26 UTC
Permalink
Post by Sweevil
Researching a project I recently discovered that in the 1950s a series of
mostly 90 minute TV shows were broadcast, called PRODCUERS' SHOWCASE. Some
were adaptations of current or classic musicals, others original musicals
and plays written for TV by big names such as Jule Styne who, with Leo
Robin, scored an original musical for the series. Has anyone seen any of
these? They don't appear to be available on DVD or video, but some look
like they sure should be.
Their website seems to indicate that they are trying to prepare these
The budgets for Showcase, across the board, were so enormous, that there was
first-rate talent involved at every stage of every production; the disparity
between the one-hour shows and the 90-minute and 120-minute shows on the
Producers' Showcase series, with one exception, was even greater. Many of
the programs were restagings of successful Broadway dramas and musicals.
Even though technical capabilities of the day were primitive compared to
today, no expense was spared for the Producers' Showcase programs, and as a
result, they are very entertaining even now. Directors such as Arthur Penn,
Sidney Lumet, Kirk Browning, and Clark Jones knew even then how to create
visually interesting television; the world-class authors who were adapted by
writers at the top of the talent ladder, and the successful writers who
created programs specifically for this series, all knew how to create an
interesting story, with excellent plotting and character development; the
actors were literally the best that there ever were, and their performances
are first-rate by any standard; the legendary performing artists outdid
themselves to dazzle the world's largest audiences; the composers and
lyricists who created music and songs were already successful. As just one
illustration of the quality of these programs, James van Heusen and Sammy
Cahn wrote the classic song "Love and Marriage" specifically for the musical
version of "OUR TOWN" from the Producer's Showcase series; Thornton Wilder's
play remains the most performed American stage play. Overall, these programs
still have the power to dazzle an audience.
Past Ratings as a Guide to Present Audience Potential
The programs were broadcast "live" and have not been seen since their
original broadcasts, although NBC and Showcase have, from time to time,
licensed clips from individual programs. Even making allowance for the
limited number of programming choices available to audiences at the time,
Producers' Shocase drew phenomenal "Nielsen" ratings and audiences -- the 23
programs for which we have records, averaged a 36.5% audience share. The
very highest ratings were garnered by the original March 7, 1955 broadcast
of "PETER PAN (68.3 share, estimated at a total audience of between
65,000,000 and 75,000,000 people), the March 30, 1955 broadcast of "THE
PETRIFIED FOREST" (50.6 share), and the January 9, 1956 repeat of "PETER
PAN" (54.9 share). The "Trendex" ratings were even higher, with,
respectively, shares of 69.2 for the first "PETER PAN" and of 51.2 for "THE
PETRIFIED FOREST." (We have been told by many inerviewees that it was almost
impossible to hail a taxicab in New York City on the nights of the "PETER
PAN" broadcasts!) It should be remembered that this success was generally
achieved in head-to-head combat with the most consistently popular program
in TV history, "I LOVE LUCY," running on CBS.
HEY I GOT A NUMBER THESE SHOWS AND REALY WOULD LIKE TO FIND THE ONES THAT DONT HAVE ON DVD COMPLTE WITH THER CREMICLS ON IT LIKE RCA VICTOR
Brian McNicholl
2020-08-23 18:29:27 UTC
Permalink
Post by Sweevil
Researching a project I recently discovered that in the 1950s a series of
mostly 90 minute TV shows were broadcast, called PRODCUERS' SHOWCASE. Some
were adaptations of current or classic musicals, others original musicals
and plays written for TV by big names such as Jule Styne who, with Leo
Robin, scored an original musical for the series. Has anyone seen any of
these? They don't appear to be available on DVD or video, but some look
like they sure should be.
Their website seems to indicate that they are trying to prepare these
The budgets for Showcase, across the board, were so enormous, that there was
first-rate talent involved at every stage of every production; the disparity
between the one-hour shows and the 90-minute and 120-minute shows on the
Producers' Showcase series, with one exception, was even greater. Many of
the programs were restagings of successful Broadway dramas and musicals.
Even though technical capabilities of the day were primitive compared to
today, no expense was spared for the Producers' Showcase programs, and as a
result, they are very entertaining even now. Directors such as Arthur Penn,
Sidney Lumet, Kirk Browning, and Clark Jones knew even then how to create
visually interesting television; the world-class authors who were adapted by
writers at the top of the talent ladder, and the successful writers who
created programs specifically for this series, all knew how to create an
interesting story, with excellent plotting and character development; the
actors were literally the best that there ever were, and their performances
are first-rate by any standard; the legendary performing artists outdid
themselves to dazzle the world's largest audiences; the composers and
lyricists who created music and songs were already successful. As just one
illustration of the quality of these programs, James van Heusen and Sammy
Cahn wrote the classic song "Love and Marriage" specifically for the musical
version of "OUR TOWN" from the Producer's Showcase series; Thornton Wilder's
play remains the most performed American stage play. Overall, these programs
still have the power to dazzle an audience.
Past Ratings as a Guide to Present Audience Potential
The programs were broadcast "live" and have not been seen since their
original broadcasts, although NBC and Showcase have, from time to time,
licensed clips from individual programs. Even making allowance for the
limited number of programming choices available to audiences at the time,
Producers' Shocase drew phenomenal "Nielsen" ratings and audiences -- the 23
programs for which we have records, averaged a 36.5% audience share. The
very highest ratings were garnered by the original March 7, 1955 broadcast
of "PETER PAN (68.3 share, estimated at a total audience of between
65,000,000 and 75,000,000 people), the March 30, 1955 broadcast of "THE
PETRIFIED FOREST" (50.6 share), and the January 9, 1956 repeat of "PETER
PAN" (54.9 share). The "Trendex" ratings were even higher, with,
respectively, shares of 69.2 for the first "PETER PAN" and of 51.2 for "THE
PETRIFIED FOREST." (We have been told by many inerviewees that it was almost
impossible to hail a taxicab in New York City on the nights of the "PETER
PAN" broadcasts!) It should be remembered that this success was generally
achieved in head-to-head combat with the most consistently popular program
in TV history, "I LOVE LUCY," running on CBS.
I'm curious if you ever came upon materials for MR. BROADWAY (1957). The Library of Congress says they have an audio recording. Is that all that exists, do you know?
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